In the long dark of winter, I usually long for sun and rain and melt. Like a grouse, I hunker down below the snow, wait out the storms, and dream of spring. After every snowfall, the New England trees shudder, straighten up, and release their burdens in a slightly longer day and a slightly warmer sun.
Like the trees, we weather our nor’easter, shake off the foot of snow, and venture out into the bitter cold and screaming wind that so often follow such storms. It feels like winter today. Yet, it is also one of very few days that feel like winter of late. Just a few days ago, ice and snow came in the night, but it melted into 40-degree rain by morning.
As it has a dozen times this past month. Instead of the deep winter of January and February, we seem to be stuck in a protracted April. January showers bring February showers bring March showers; winter wanders farther north in search of more hospitable conditions
Sometimes it’s hard to see past an end point, but there’s always something after. The scars of what happened before never truly become invisible, especially if you know how to look for them. Yet, sometimes looking at what things used to be obscures our understanding of what they now are. The damage looks overwhelming if that is all you see, but it also harbors new growth and new opportunities.
I wasn’t thinking those things when I saw this cut stump a few weeks ago, with a delightful ecosystem of renewal developing in its core. Yet, the juxtaposition of dying and growing was still compelling enough to stop for a picture.
With a few weeks’ context, I’m forced to hold damage and possibility side by side in a way I haven’t recently remembered to. Now, I am trying to remind myself that the unearthing of old wounds can also be a chance for new growth. Yes, we can stand and lament the harm done, and there’s nothing wrong with that. But we can also appreciate the chance for something better. The two may be inseparable.
Life doesn’t happen in isolation, nor, I think, would we ever want it to.
Image Credit: My Own
People lie. People lie pretty much all the time—but most of those lies aren’t the sort of lies that matter. They are untruths that we expect and reinforce socially. They are lies that are, in a sense, required.
“How are you today?”
“Fine, how are you?”
I have trouble with things like that because I always want to answer truthfully. It took me a while to accept that it’s not a real question so much as a script, and that the answer is part of the script, and that because the answer doesn’t convey real information, it isn’t really untrue. It’s not really a lie. I may not be fine, but if I say that I am, that’s fine.
That’s a lie that isn’t really a lie, repeated for the benefit of a social script. We like social scripts, and they make us feel better. They make us feel like we understand the world. But there are lies we tell ourselves, too. There are social scripts we repeat to ourselves, and others, that are deeply, fundamentally, untrue. And while most of us know that “fine” doesn’t really cover it when the lie is about ourselves, it’s easy to forget that the scripts don’t really cover it about anyone else, either.
Especially if they have a different experience. And especially if the script is a script for those of us with social privileges. Like, say, if you’re white.
There are places that are quintessentially human, and places that are emphatically other. For my part, I much prefer the places that are other, where humans are less involved and have spent less time paving over the intricacies of nature with their own ill-considered urbanity and ham-fisted simplicity. Entirely human places tend to annoy me, because they so often lack the depth and breadth and intricacies of the world, and instead enable us to gaze comfortably at our societal navels without thought to the foundations.
I had the opportunity to explore a 200-year old copper mine a few days ago. It is a remarkably odd place, not least because it defies categorization in my taxonomy of places. It is an undeniably human place, but it also has an overprint of deep strangeness–of natural processes in the act of reclaiming it.
What happens at the end of a system? The American Chestnut used to be one out of every three trees in eastern hardwood forests; now there are a few blighted remnants, a few resistant individuals hiding in the far corners of what few forests remain uncut. The system has moved on, to a sparser, less self-sufficient balance. But what happens when the system can’t adapt? What does it even look like to us, human beings who struggle to think in systems and who shift our baselines faster than natural systems move?
Because I spend a lot of time below ground, the raw marks of geology are a regular part of my life. When I think of bedrock and mountains, I don’t think of them as solid things. They shift uneasily in my mind, and their brittle skins are not enough to disguise restless history. People who live near fault lines or volcanoes remember this; the rest of us generally forget it.
I think the structures of a society are very similar. The slow violence of geology and the slow violence of society are both ever ongoing.
The overwhelming scientific consensus is that human-caused climate change is real, ongoing, and extremely dangerous. For those who missed the most recent data point, February of 2016 was the hottest temperature anomaly in recorded history. That, on top of us having racked up most of the hottest overall years on record during the past decade. And yet, somehow, there are still intellectually dishonest people who stand up and argue that climate change isn’t happening, or maybe isn’t so bad, or maybe will just not be a problem because we’ll adapt (or something, and who needs those ecosystems anyway).
It’s enough to make you want to give up. What’s the point in trying to stop climate change when we keep electing people who are happy to disbelieve it? Isn’t it basically inevitable at this point? Realistically, we’ll be lucky if we can all agree that it’s real before we pass the point of no return, let alone do anything about it.
But I think that’s a pretty dangerous point of view.